

Fine Art Editorial / Photographer: Jazmine Rolon
The difference between an instagram filter with bad lighting and a production meant to evoke emotion – A peek into my process as an Artist in a digitized world.

We live in a world where one trend can take off on social media and redefine how the public describes Art Industries. Every photographer is apparently an editorial, documentary photographer who is wildly in love with love. blah.
You have the blurry photo trends with warm overtones calling themselves film inspired – while just using presets they got from their favorite instagram photographer. We have harsh flash photos with some grain added and BOOM its an editorial.
But the truth is, specializing in any of those trigger words takes immense dedication to execute properly. Calling yourself a documentary photographer while not being able to guide your clients – simply means you don’t know how to direct. It is not worthy of charging people luxury pricing. Editorial Photography is meant to tell a story. To make you feel the emotion and the messaging behind the lighting, the pose, the wardrobe and set and editing choices. It takes months to Conceptualize and execute.

The Bleeding Woman
Emma Willis / Jazmine Rolon
Girlhood Lost
Jayde Rankin / Jazmine Rolon

Sometimes it takes very little to inspire an artist. We are romantics – falling in love with the world around us and using our observations to draw inspiration from the most simple things. I was once inspired in the middle of grocery shopping, by a box of fortune cookies. For me, I live in nostalgia. I collect vintage clothes from all decades, and source props from marketplace to tell a story of that time period. I will remember pop culture from the early 2000s that I want to recreate, or childhood toys I have taken with me into my 30s. I find that ONE little nugget of memory, and run with it until it becomes an obsession.
The thing about being a creative is that we follow the wave of inspiration into every detail of execution. What we want the overall colors to look like, the shot I want to get to do the concept justice, the wardrobe that will perfectly match the model and era, How the makeup should look, what the props need to be, the location, the light etc. It can take months or even years of planning a production before the concept ever gets shot, because I am procuring the props one by one. I design them myself sometimes, or hire set designers, stylists, studios and makeup artists to bring it to life with me. I have learned to make jello molds using only what I could find at Goodwill + a little Youtube, Or risked my life in sketchy areas of the city to secure $200 worth of beanie babies – for the plot.
A Drag Editorial highlighting the Standard 1950s American Household.





As a self taught photographer, I had to fail, fail, and fail some more before things began to click. I had to become okay with sucking ass at everything I tried, and continue to chose to keep pushing long enough to understand how to pull off my creative ideas. I carry that energy into every shoot, allowing room for the unexpected to unfold because that’s where the magic happens. We try ideas as they come, and sometimes it doesn’t work and we laugh and move on to something else. I create a safe space to experiment and laugh and have fun creating something ridiculous and edgy in all the right ways.
My flavor of this niche is heavily set on pushing boundaries and adding edge to everything. How can I take one simple idea and make it kinda creepy, fashionable, and make a statement? What message are we trying to communicate to the audience? I will Obsess over these details in my mind for weeks, jotting down each fresh idea, messaging marketplace weirdos for their vintage garbage, and you-tubing “How to make a layered Jell-o mold” – Editorial Photography is not as simple as showing up to a studio with a cool style and harsh lighting. It is the sweet spot in the industry where art and fashion collide, a place where boldness and edge is celebrated – a place where there are no limits and rules don’t typically apply.
My goal is always to make you stop scrolling and really take in the art and the message.
Otherwise, whats the Fuckin Point? What questions do you have about Editorial Photography, my process or what should I yap about next? Let me know below!
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